It Was a Wild Ride Through the Underground Scene!
San Antonio’s Aztec Theatre was absolutely shaking last night as Pouya, the underground rap phenom from Florida, stormed the stage with his “They Could Never Make Me” Tour. Fans from all walks of life filled the historic venue, bringing an infectious energy that could be felt the second you stepped inside. From diehard fans who’ve been riding with Pouya since his early SoundCloud days to newcomers eager to experience his raw lyrical prowess live, the crowd was hyped and ready to rage.
With an unbeatable lineup that included Canadian cult-favorite Freddie Dredd and Californian, Cursed, the night delivered nonstop action. Each artist brought their own flavor, creating a perfect balance between chaotic mosh-pit moments and hypnotic head-nodding beats. San Antonio proved once again it’s ready to embrace the underground, and Pouya rewarded them with a performance filled with grit, humor, and high-voltage energy. This show was a full sensory overload in the best way possible.
CURSED
Opening the night, Cursed wasted no time setting the tone for absolute mayhem. Cursed’s energy was relentless. Dressed in dark streetwear and pacing the stage like a caged animal, he brought that perfect mix of aggression and confidence that fits right in the underground sound. His delivery was raw, his vocals cutting through the thick basslines, and you could feel the hunger in every bar.
The crowd, a mix of die-hard Pouya fans and local heads, fed off Cursed’s intensity. Whether they were familiar with his catalog or not, heads were nodding, pits were forming, and hands were in the air by the second track.
Cursed’s set leaned heavily into his dark trap and underground influence, with heavy, distorted beats and lyrics that oscillated between flexing his grind and exposing personal demons. Tracks like “Tales from the Gutter” and “No Halo”hit especially hard, with fans screaming along to the hooks even if they were hearing them for the first time.
FREDDIE DREDD
Freddie Dredd stormed the stage next, bringing his signature blend of sinister beats, eerie samples, and his unmistakable low-fi delivery. From the moment he stepped out, the Aztec Theatre transformed into a chaotic, frenzied arena where mosh pits erupted on command and fans screamed every word back at him. Freddie’s set had a hypnotic quality — his haunting production combined with his laid-back yet aggressive flow created a contrast that kept the audience hooked.
Tracks like “GTG,” “Cha Cha,” and “Evil Fantasy” had the whole venue bouncing, with Freddie pacing the stage like a man possessed, feeding off the crowd’s energy. Between songs, he showed love to Texas, and the support fans have shown since his early days. What stood out was how much control he had — whether slowing things down for a creepy, atmospheric track or launching into a high-octane banger, Freddie made sure the crowd never knew what was coming next. His performance was a perfect reminder of why he’s a cult figure in the underground rap scene, seamlessly blending horror aesthetics, humor, and unrelenting beats into one unforgettable set.
POUYA
Finally, Pouya hit the stage and immediately turned the Aztec Theatre into his own personal playground. The energy exploded the second he stepped out, with fans rushing forward, eager to get as close as possible to the South Florida icon. Pouya’s effortless charisma and razor-sharp flow dominated from the first track, weaving through hits like “Florida Thang,” “Void,” and the fan-favorite “Suicidal Thoughts in the Back of the Cadillac.” His ability to flip between lightning-fast delivery and introspective verses kept the crowd completely locked in.
What made his set so captivating was the connection he built with the audience. Between songs, he spoke directly to the fans, cracking jokes, reminiscing about past Texas shows, and even taking a moment to shout out longtime supporters. Each song felt personal — like Pouya wasn’t just performing but reliving every lyric alongside the crowd. His raw vulnerability combined with undeniable stage presence made for a set that hit every emotional note, from pure hype to cathartic release. The Aztec pulsed with bass, sweat, and unfiltered emotion, leaving no doubt that Pouya’s underground roots still fuel every second of his performance. San Antonio got all the smoke — and they loved every minute of it.
The Power Of Internet
Pouya’s story is a testament to the power of the internet and the hustle of independent artists. Born Kevin Pouya in Miami, Florida, he started carving his path in the early 2010s, dropping self-released tracks and mixtapes on platforms like SoundCloud and YouTube. What made him stand out wasn’t just his rapid-fire flow or his clever wordplay — it was his honesty. Pouya didn’t shy away from sharing his struggles, insecurities, and triumphs, making his music resonate with fans in a way few others could.
He became a pillar of the underground rap movement, working alongside scene heavyweights like $uicideboy$, Fat Nick, and Shakewell, building a devoted fanbase one raw track at a time. His DIY ethos and refusal to compromise his sound allowed him to remain authentic while gradually breaking into the mainstream. Today, Pouya stands as a beacon of independent success — proof that staying true to your roots can still lead to the top.
Celebration of Underground Culture
What Pouya, Freddie Dredd, and Cursed brought to the Aztec Theatre wasn’t just another tour stop — it felt like a celebration of underground culture, a gathering of fans who’ve been riding with these artists since day one. The energy in the room was electric, the connection between performers and audience tangible in every shouted lyric and every mosh pit swirl.
Pouya, with his unique blend of vulnerability and bravado, proved once again why he’s a staple of the scene, while Freddie Dredd’s eerie energy and Cursed’s sonic chaos perfectly rounded out the night.
Together, they created an unforgettable experience that highlighted the power and passion of independent hip-hop.
POUYA – San Antonio, TX – 03/04/2025
- LORD FORGIVE ME FOR THE PAIN I INFLICT ON MYSELF
- FORGET ABOUT EVERYTHING
- BLAME GAME
- UH OH
- LEMONADE (DEAD MAN WALKING)
- WHAT UU BOUT
- SO MUCH TO LOSE, SO LITTLE TIME
- LIVE AND LET DIE
- TANK GIRL
- FUCK IT UP
- SUPERMAN IS DEAD
- FIVE SIX
- Mood Swing Misery
- Florida Thang
- Suicidal Thoughts in the Back of the Cadillac
- Aftershock
- Daddy Issues
- Forever Waiting For You At My Window
- Out The Mud
- Sit Ups
- TOOLIE BEAM
- Suicidal Thoughts in the Back of the Cadillac, Pt. 2
- ROT
- I DON’T WANT TO BE IN LOVE (WITH YOU)
- PAID MY DUES
- THE CATS CRYING OUTSIDE MY WINDOW SOUND LIKE THE END OF THE WORLD
- $Outh $Ide $Uicide
- 1000 Rounds
- Runnin’ Thru the 7th with My Woadies
- Void
